broadcast

Modulation-Sciences-CP-803-Composite-Processor-broadcast-gear-CP803-01-ow

Modulation Sciences CP 803 Composite Processor broadcast gear CP803

Posted on by admin
For sale is a Modulation Sciences CP 803, in used condition. Recently pulled from a working studioenvironment and believed to be in working condition, but unable to test. Most of myitems are second-hand/overstock, so I cannot guarantee functionality or provideany return options on every item. I tryto bench test items as best as I can […]... Read More
Broadcast-Equipment-Condenser-MIC-Microfone-Stand-Studio-Music-Recording-Podcast-01-aw

Broadcast Equipment Condenser MIC Microfone Stand Studio Music Recording Podcast

Posted on by admin
Broadcast Equipment Condenser MIC Microfone Stand Studio Music Recording Podcast. Features: Condenser Microphone: can be used on any types of sound cards, whether independent or integrated sound card can produce a pleasant sounds. Microphone Pop Filter Shield Screen: helps to filter pops, hisses and thuds to produce great quality recordings. Microphone Windscreen: sound-absorbing cotton for […]... Read More
Electrovoice-RE20-Broadcast-Microphone-with-Case-01-qm

Electrovoice RE20 Broadcast Microphone with Case

Posted on by admin
Pre-Owned Gear & B-Stock. Electrovoice RE20 Broadcast Microphone with Case. The RE20 Variable-D® dynamic cardioid microphone is truly an industry standard, a firm favorite among broadcasters and sound engineers worldwide. Its popularity also extends into music production as a premium grade instrument microphone. Its Variable-D® design and heavy-duty internal P-pop filter reduce proximity effect, while […]... Read More
Saramonic-SR-TM1-Super-Cardioid-Broadcast-XLR-Shotgun-Condenser-Microphone-01-vl

Saramonic SR-TM1 Super-Cardioid Broadcast XLR Shotgun Condenser Microphone

Posted on by admin
Our staff is made of. Saramonic SR-TM1 Super-Cardioid Broadcast XLR Shotgun Condenser Microphone. Specifications Acoustic Principle: Line gradient Directional Pattern: Cardioid Frequency Range: 40 Hz to 20 kHz Sensitivity: -35 +/- 3dB Output Impedance: 200 ohm Max Output: 10 dBu Dynamic Range: 119 dB Max SPL: 135 dB Signal to Noise: 75 dB SPL Power […]... Read More
Neve-54-Series-5455-12x4-Broadcast-Recording-Console-Rare-Vintage-Analog-Mixer-01-cm

Neve 54 Series 5455 12×4 Broadcast Recording Console Rare Vintage Analog Mixer

Posted on by admin
Retro Gear Shop is a high-end boutique store located in Nashville, Tennessee. Neve 5455 12 Channel 4 Bus Mixer For sale is a rare vintage Neve 5455 analog recording console. It has some minor damage and no power supply. Due to limited time and backlog of current projects, we are offering it for sale immediately […]... Read More
Shure-SM7B-Broadcast-and-Vocal-Cardioid-Dynamic-Microphone-UPC-042406088879-01-vp

Shure SM7B Broadcast and Vocal Cardioid Dynamic Microphone UPC 042406088879

Posted on by admin
The SM7B dynamic microphone is a very popular microphone in the broadcast recording scene due to the flat, wide-range frequency response appropriate for music and speech in most audio applications. It has an excellent shielding against electromagnetic hum generated by computer monitors, neon lights, and other electrical devices. Includes the A7WS windscreen for close-talk applications. […]... Read More
Rode-PSA1-Studio-Boom-Arm-for-Broadcast-Microphone-NEW-01-qf

Rode PSA1 Studio Boom Arm for Broadcast Microphone NEW

Posted on by admin
Rode PSA1 Studio Boom Arm for Broadcast Microphone NEW. Rode PSA 1 Swivel-Mount Studio Microphone Boom Arm. Keep the mic at a comfortable level for speaking or singing while leaving hands free with the Rode PSA 1 Swivel-Mount Studio Microphone Boom Arm. An essential tool for podcasters, radio professionals and others, it rotates 360 degrees […]... Read More
Electro-Voice-RE20-Dynamic-Cardioid-Broadcast-Microphone-01-huga

Electro Voice RE20 Dynamic Cardioid Broadcast Microphone

Posted on by admin
Electro Voice RE20: Dynamic cardioid broadcast microphone. The Electro Voice RE20 is the broadcast studio voice-over mic used by pros for years. The RE20 smooth across a wide spectrum of frequencies, and because it’s a Continuously Variable-D mic, it’s virtually free of bass-boosting “proximity effect” when used close. An easy “bass tilt down” switch corrects […]... Read More